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"黃仕宜"
Showing items 1-30 of 30 (1 Page(s) Totally)
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| 淡江大學 |
201706 |
A Farcical Tragedy: Communal Vision in George Bernard Shaw's The Doctor's Dilemma: A Tragedy
|
黃仕宜 |
| 淡江大學 |
2016-02-16 |
To Protect or to Negate?Community in An Enemy of the People and The Normal Heart
|
黃仕宜 |
| 淡江大學 |
2015-06 |
歷史之餘：當代非裔美國人劇場中缺席的父親們
|
黃仕宜 |
| 淡江大學 |
2015-06 |
歷史之餘 當代非裔美國人劇場中缺席的父親們
|
黃仕宜 |
| 淡江大學 |
2014-12 |
何處是歸家？李維拉之《瑪莉莎》中的空間與倫理
|
黃仕宜 |
| 淡江大學 |
2014-11-22 |
Unsettling the Sense of Community in the Xiao Zi-Han Dance Troupe’s ‘Love Gleaners’
|
黃仕宜 |
| 淡江大學 |
2014-11-01 |
A Farcical Tragedy: Community in George Bernard Shaw’s The Doctor’s Dilemma: A Tragedy
|
黃仕宜 |
| 淡江大學 |
2014-05 |
黑人劇場中缺席的父親們
|
黃仕宜 |
| 淡江大學 |
2013-12-10 |
Utopia in Theater: Mulian Rescues Mother Earth
|
黃仕宜 |
| 淡江大學 |
2013-08 |
醫療與劇場(I)
|
黃仕宜 |
| 淡江大學 |
2013-06 |
Intimate Ethics and National Politics in Tony Kushner's “Angels in America”
|
黃仕宜 |
| 淡江大學 |
2013-05-31 |
Trauma and the Production of Memory in Paula Vogel’s How I Learned to Drive
|
黃仕宜 |
| 淡江大學 |
2013-05 |
Bodily Orifices as a Site of Cultural Intervention in Cherrie Moraga's “The Hungry Woman: The Mexican Medea”
|
黃仕宜 |
| 淡江大學 |
2012-11 |
Spectacle and space: epistemological anxiety (ethics) in Jose Rivera's Marisol
|
Huang, Shih-yi; 黃仕宜 |
| 淡江大學 |
2012-08 |
當代美國劇場中的空間、知識型與倫理
|
黃仕宜 |
| 淡江大學 |
2011-01 |
Eaten by the Other
|
黃仕宜 |
| 淡江大學 |
2011-01 |
Self-Devouring and Self-Proliferation: the Inner Revolution in Marsha Norman’s ‘Getting Out’
|
黃仕宜 |
| 淡江大學 |
2011-01 |
The Construction of Characters through Narrative in John Lyly's Galatea
|
黃仕宜 |
| 淡江大學 |
2011-01 |
The Wisdom of Love: The Interplay of Mythos and Logos in David Henry Hwang's The Sound of a Voice
|
黃仕宜 |
| 淡江大學 |
2011-01 |
Topic: “A Reverse Alchemy: Capitalism, Epistemology and Ethics in Mary Zimmerman’s Metamorphoses”
|
黃仕宜 |
| 淡江大學 |
2011-01 |
When Baby Gives Birth to Parents: The Dramatization of the Stasis of Time in Paula Vogel’s And Baby Makes 7
|
黃仕宜 |
| 淡江大學 |
2010-03 |
Who is Sylvia or who are we?: Alternative Subjectivity in Albee’s The Goat or, Who Is Sylvia?
|
黃仕宜 |
| 淡江大學 |
2010-02 |
The Disruption of Male Sexual Discourse in Paula Vogel’s Hot ‘n’ Throbbing
|
黃仕宜 |
| 淡江大學 |
2010 |
The dialogism of self and other in contemporary American drama
|
Huang, Shih-yi; 黃仕宜 |
| 淡江大學 |
2010 |
A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamorphoses
|
黃仕宜 |
| 淡江大學 |
2010 |
A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamor
|
黃仕宜; Huang, Joy Shihyi |
| 淡江大學 |
2009-04 |
When Two Split Merged into One: Ethical Reconsideration in Mary Zimmerman’s Metamorphoses
|
黃仕宜 |
| 淡江大學 |
2006 |
甘為他者盤飧：馬夏‧諾曼《晚安，媽》劇中之自殺以求重生
|
黃仕宜 |
| 淡江大學 |
2002-07 |
馬夏．諾曼戲劇中的空間壓迫
|
黃仕宜 |
| 國立政治大學 |
2002 |
馬夏‧諾曼戲劇中的空間壓迫
|
黃仕宜; Huang, Shih Yi |
Showing items 1-30 of 30 (1 Page(s) Totally)
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