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臺灣學術機構典藏系統 (Taiwan Academic Institutional Repository, TAIR)
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"黃仕宜"???jsp.browse.items-by-author.description???

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Institution Date Title Author
淡江大學 2013-06 Intimate Ethics and National Politics in Tony Kushner's “Angels in America” 黃仕宜
淡江大學 2013-05-31 Trauma and the Production of Memory in Paula Vogel’s How I Learned to Drive 黃仕宜
淡江大學 2013-05 Bodily Orifices as a Site of Cultural Intervention in Cherrie Moraga's “The Hungry Woman: The Mexican Medea” 黃仕宜
淡江大學 2012-11 Spectacle and space: epistemological anxiety (ethics) in Jose Rivera's Marisol Huang, Shih-yi; 黃仕宜
淡江大學 2012-08 當代美國劇場中的空間、知識型與倫理 黃仕宜
淡江大學 2011-01 Eaten by the Other 黃仕宜
淡江大學 2011-01 Self-Devouring and Self-Proliferation: the Inner Revolution in Marsha Norman’s ‘Getting Out’ 黃仕宜
淡江大學 2011-01 The Construction of Characters through Narrative in John Lyly's Galatea 黃仕宜
淡江大學 2011-01 The Wisdom of Love: The Interplay of Mythos and Logos in David Henry Hwang's The Sound of a Voice 黃仕宜
淡江大學 2011-01 Topic: “A Reverse Alchemy: Capitalism, Epistemology and Ethics in Mary Zimmerman’s Metamorphoses” 黃仕宜
淡江大學 2011-01 When Baby Gives Birth to Parents: The Dramatization of the Stasis of Time in Paula Vogel’s And Baby Makes 7 黃仕宜
淡江大學 2010-03 Who is Sylvia or who are we?: Alternative Subjectivity in Albee’s The Goat or, Who Is Sylvia? 黃仕宜
淡江大學 2010-02 The Disruption of Male Sexual Discourse in Paula Vogel’s Hot ‘n’ Throbbing 黃仕宜
淡江大學 2010 The dialogism of self and other in contemporary American drama Huang, Shih-yi; 黃仕宜
淡江大學 2010 A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamorphoses 黃仕宜
淡江大學 2010 A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamor 黃仕宜; Huang, Joy Shihyi
淡江大學 2009-04 When Two Split Merged into One: Ethical Reconsideration in Mary Zimmerman’s Metamorphoses 黃仕宜
淡江大學 2006 甘為他者盤飧:馬夏‧諾曼《晚安,媽》劇中之自殺以求重生 黃仕宜
淡江大學 2002-07 馬夏.諾曼戲劇中的空間壓迫 黃仕宜
國立政治大學 2002 馬夏‧諾曼戲劇中的空間壓迫 黃仕宜; Huang, Shih Yi

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