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机构 日期 题名 作者
臺大學術典藏 2021-06-15T05:55:06Z Jonson's Platonic Cupid (Panel organized: Classical Myth and the Philosophical Work of English Literary Texts) ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:06Z Music on the Enchanted Island ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:06Z Props and Allegorical Space in Early Modern Travel Plays ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:06Z Jonson’s Control of the Stage Doors, from the Blackfriars to the Globe ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:05Z Turbans, Magic Glasses, and Decapitated Heads: Props for Worldmaking in Pericles and The Travels of the Three English Brothers ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:05Z Our Scene is Rhodes' : Thomas Kyd, William Davenant, and the Uses of Theatrical Space in Early Modern England ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:05Z Discoveries, Beds, and the Gendering of Theatrical Space in The Rover ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:05Z The Space of Song in The Tempest, 1611 and 1674 ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:04Z A delightful Proteus’: Humors, Disguise, and the Actor's Skill in The Blind Beggar of Alexandria and 1 Henry IV ALEXANDER KEITH PAULSSON LASH
臺大學術典藏 2021-06-15T05:55:04Z Review of A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England ALEXANDER KEITH PAULSSON LASH

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