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Showing items 1-9 of 9 (1 Page(s) Totally)
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| 淡江大學 |
2023-01-05 |
Surface and Depth: Photographs in Paul Auster's The Invention of Solitude and Joy Kogawa's Obasan
|
Deng, Chiou-rung |
| 淡江大學 |
2021-12-15 |
Negotiating Cultural Identity in The Inheritance of Loss
|
Deng, Chiou-Rung |
| 淡江大學 |
20130701 |
"Sharing Our Brokenness": The Other's Silence, Boundary-Crossing, and Sharing in Joy Kogawa's Obasan
|
Deng, Chiou-Rung |
| 淡江大學 |
2013-04-06 |
"The Other's Hospitality: Stranger, Corporeality and Generosity in Joy Kogawa's Obasan"
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Deng, Chiou-Rung |
| 淡江大學 |
2012-07-13 |
“The body will not tell”: The Poetics of Corporeal Silence in Joy Kogawa's Obasan
|
Deng, Chiou-Rung |
| 淡江大學 |
2011-06 |
Resisting Sympathy, Reclaiming Authority: The Politics of Representation in Harriet Jacobs's Incidents in the Life of a Slave Girl
|
Deng, Chiou-Rung |
| 淡江大學 |
2010-04 |
Sympathetic Liaison: Nation-Making, Female Subjectivity, and Racial Difference in Lydia Maria Child’s Hobomok
|
鄧秋蓉; Deng, Chiou-rung |
| 淡江大學 |
2009-12 |
Sentimental Killing: Truth, Sympathy, and Translation in Catharine Sedgwick’s Hope Leslie
|
Deng, Chiou-Rung |
| 淡江大學 |
2009 |
The hazard of sympathy, race, and gender in antebellum American women's writing
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Deng, Chiou-rung; 鄧秋蓉 |
Showing items 1-9 of 9 (1 Page(s) Totally)
1
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