| 臺大學術典藏 |
2022-04-25T06:56:30Z |
Western music history as a teaching topic in Taiwan: Pedagogy as transculturation
|
Chen J.-Y.; Chen J.-Y.; JEN-YEN CHEN |
| 臺大學術典藏 |
2021-11-21T23:18:42Z |
Western music history as a teaching topic in Taiwan: Pedagogy as transculturation
|
JEN-YEN CHEN |
| 臺大學術典藏 |
2021-01-04T05:52:11Z |
REQUIEM WITH TWO RELATED MOTETS
|
Chen, Jen-Yen; Chen, Jen-Yen; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:50Z |
Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical Culture
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:49Z |
The ‘Virtue’ Mass in Early Eighteenth-Century Austria: Beyond the Viennese Imperial Court
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:49Z |
The Legacy of Johann Joseph Fux’s Gradus ad Parnassum (1725) and the Historicized Practice of Theory
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:49Z |
Johann Joseph Fux’s Eucharistic and Marian Compositions and Habsburg Political SelfConception in the Era of Charles VI
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:49Z |
Maria Theresia and the ‘Chinese’ Voicing of Austrian Imperial Self: The Contexts of Metastasio’s China Operas
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:48Z |
Musical Culture and Social Ideology in Vienna circa 1800: Aristocratic Patronage and Bourgeois Reception of Joseph Haydn’s Oratorios
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:48Z |
Metastasio’s Le cinesi and the Practice of Reflexive Critique Within Austrian Court Ceremonial Culture
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:48Z |
Palestrina and the Influence of ‘Old’ Style in Eighteenth-Century Vienna
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-06-18T05:43:47Z |
Antonio Caldara in Vienna (1716-1736) and the ‘Indigenization’ of an Italian Composer at a Foreign Italianate Court
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:21Z |
Three Masses from Vienna: A Cappella Masses by Georg Christoph Wagenseil, Georg Reutter, and Leopold Hofmann
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:20Z |
The Assimilation of Symphonic Style in the Revision of the D?rnitz Sonata, K. 284 (205b)
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:20Z |
Wagenseils Missa alla cappella und die Fuxschen Lehre
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:20Z |
The Tradition and Ideal of the Stile Antico in Viennese Sacred Music, 1740-1800
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:19Z |
Historiographical Conceptions of the Symphony and the Hauskapellen of Eighteenth-Century Austria
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:19Z |
Musical Life in Late Eighteenth-Century Vienna and Habermas??Conception of the Public Sphere
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:19Z |
The Aristocratic House Orchestras of Mid-Eighteenth-Century Austria: Private Context and Public Expression in the Genre of Symphony
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:18Z |
The Seven Last Words: Genre and Expression in Late Eighteenth-Century Musica da Chiesa
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:17Z |
Interrogating Culture and Identity: The Case Study of Taiwan"
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:17Z |
Utopian Universalism and the Modern Idea of the West in the Reception of European Musical Culture circa 1800
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:16Z |
Aristocratic Patronage and the Symphony in Late Eighteenth-Century Austria
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:15Z |
Habermas??Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2020-05-29T08:29:15Z |
The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck
|
JEN-YEN CHEN; JEN-YEN CHEN |
| 臺大學術典藏 |
2019-12-27T07:51:01Z |
Masses by Alessandro Scarlatti and Francesco Gasparini: Music from the Basilica of Santa Maria Maggiore, Rome
|
JEN-YEN CHEN; Chen, Jen-yen |
| 臺大學術典藏 |
2019-12-27T07:51:00Z |
Habermas' Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment
|
³¯¤H«ۨJen-Yen Chen); 陳人彥(Jen-Yen Chen); JEN-YEN CHEN |
| 臺大學術典藏 |
2019-12-27T07:50:59Z |
Antonio Caldara in Vienna (1716-36) and the "Indigenization" of an Italian Composer at a Foreign Italianate Court
|
³¯¤H«ۨJen-Yen Chen); 陳人彥(Jen-Yen Chen); JEN-YEN CHEN |
| 國立交通大學 |
2014-12-12T02:25:03Z |
用於網路資源重用之網路工程環境
|
陳俊榮; Jun-rong Chen; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:22:51Z |
以XML為基礎的電子商務程序模塑語言
|
郭鴻毅; Hong-Yi Kuo; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:20:19Z |
APER語法導向程序環境
|
黃健興; Chien-Hsing Huang; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:15:06Z |
使用CSPL軟體工程環境執行物件導向方法
|
劉用隆; Liu, Yong-Long; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:15:06Z |
CSPL 環境的使用者界面系統
|
徐彬傑; Hsu, Pin-Chieh; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:13:25Z |
CSPL: 一個類似 Ada95, 以 Unix 為基的程序環境
|
曾柏坤; Bor-Kun Tzeng; 陳振炎; Jen-Yen Chen |
| 國立交通大學 |
2014-12-12T02:13:20Z |
CSPL 環境的通訊方式
|
王重堯; Chorng-Yau Wang; 陳振炎; Jen-Yen Chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:58Z |
Musical Culture and Social Ideology in Vienna circa 1800
|
Jen-yen Chen |
| 臺大學術典藏 |
2004 |
The Virtue Masses of Johann Joseph Fux: Constancy and Fortitude in Sacred Music at the Court of Charles VI
|
JEN-YEN CHEN; JEN-YEN CHEN |
