| 臺大學術典藏 |
2018-09-10T09:22:46Z |
Directing visual attention by subliminal cues
|
Huang, T.-H.; Yang, Y.-H.; Liao, H.-I.; Yeh, S.-L.; Chen, H.H.; HOMER H. CHEN; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:16Z |
Assessing the effects of audiovisual semantic congruency on the perception of a bistable figure
|
Hsiao, J.-Y.; Chen, Y.-C.; Spence, C.; Yeh, S.-L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:16Z |
A visibility model for quality assessment of dimmed images
|
Huang, T.-H.; Kao, C.-T.; Chen, Y.-C.; Yeh, S.-L.; Chen, H.H.; SU-LING YEH; HOMER H. CHEN |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
The brain mechanism of unconscious semantic processing of crowded words
|
SU-LING YEH; Yeh, S. L., and Chou, T. L., and Lee, S. H., and Huang, Y. A., and He, S., and Li, S. H. |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
Radicals are the morpho-orthographic but not morpho-semantic units in Chinese character processing
|
Yeh, S. L., and Chen, Y. C.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
Scent for visual attention: What you smell can affect how you see
|
Lee, C. A., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
Attentional capture with and without awareness
|
Liao, Hsin-I; Yeh, Su-Ling; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
Morpho-orthographic decomposition of radicals in Chinese character recognition
|
Yeh, S. L., and Chen, Y. C.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T09:19:14Z |
Auditory perceptual organization facilitates tactile identification by enhancing intensity but not duration
|
Tsai, Y. Y.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:43:09Z |
Local dimming of liquid crystal display using visual attention prediction model
|
Lee, C.-H.;Shaw, W.-H.;Liao, H.-I.;Yeh, S.-L.;Chen, H.H.; Lee, C.-H.; Shaw, W.-H.; Liao, H.-I.; Yeh, S.-L.; Chen, H.H.; HOMER H. CHEN; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:43:08Z |
Fusion of visual attention cues by machine learning
|
Lee, W.-F.;Huang, T.-H.;Yeh, S.-L.;Chen, H.H.; Lee, W.-F.; Huang, T.-H.; Yeh, S.-L.; Chen, H.H.; HOMER H. CHEN; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:43:08Z |
Learning-based prediction of visual attention for video signals
|
Lee, W.-F.;Huang, T.-H.;Yeh, S.-L.;Chen, H.H.; Lee, W.-F.; Huang, T.-H.; Yeh, S.-L.; Chen, H.H.; HOMER H. CHEN; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:17Z |
Enhancement of LCD images illuminated with dim backlight
|
Huang, T.-H.;Yeh, S.-L.;Chen, H.H.; Huang, T.-H.; Yeh, S.-L.; Chen, H.H.; SU-LING YEH; HOMER H. CHEN |
| 臺大學術典藏 |
2018-09-10T08:38:17Z |
Accessing the meaning of invisible words
|
Yang, Y.-H.; Yeh, S.-L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:15Z |
Action-induced rubber hand illusion
|
Cho, Pao-Chou; Lane, Timothy; Yeh, Su-Ling; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:15Z |
Audiovisual interaction in time perception
|
Chen, Kuan-Ming; Yeh, Su-Ling; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:14Z |
Conscious perception affects unconscious perception with the deployment of attention
|
Yang, Y. H.;Yeh, S. L; Yang, Y. H.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:14Z |
Blindsight in normals: Binding features without awareness
|
Liao, H. I.;Yang, Y. H.;Yeh, S. L.; Liao, H. I.,; Yang, Y. H.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:14Z |
A double positive forms a negative in perceptual enhancement of near-threshold emotional words
|
Li, S. H.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:14Z |
Audio-visual integration modifies emotional judgment in music
|
Su, Shen-Yuan;Yeh, Su-Ling; Su, Shen-Yuan; Yeh, Su-Ling; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:13Z |
Competition Makes You Better or Worse: Different Processing for Positive and Negative Emotional Words
|
Li, S. H.,;Ho, M. C.,;Yeh, S. L.; Li, S. H.,; Ho, M. C.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:13Z |
We prefer happy faces, regardless of whether they are familiar or not; whereas we sometimes prefer sad faces if they are familiar
|
Liao, H. I., and Shimojo, S., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:13Z |
Orienting or intention? Unconscious processing of human gaze
|
Chen, Y. C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:13Z |
Crossmodal semantic constraints on visual perception of binocular rivalry
|
Chen, Y. C., and Yeh, S. L., and Spence, C.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:13Z |
Smell affects visual attention
|
Li, C. A., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:12Z |
Look into my eyes and I will see you: Direct gaze facilitates unconscious face processing
|
Chen, Y. C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:38:12Z |
Crossmoal auditory semantic modulation of a bistable visual figure
|
Hsiao, J. Y., and Chen, Y. C., and Spence C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:23Z |
Hierarchical object representation: How the object is changed affects object-based attention
|
Lin, S. Y., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:23Z |
Auditory-visual integration facilitates unconscious processing of facial expression
|
Yang, Y. H.,; Yeh, S. L.; Yang, Y. H.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:23Z |
Auditory semantic context modulates the conscious perception of bistable figures
|
Hsiao, J. Y.,; Yeh, S. L.,; Chen, Y. C.,; Spence C.; Hsiao, J. Y.,; Yeh, S. L.,; Chen, Y. C.,; Spence C.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:22Z |
Having too much is as bad as having nothing: The processing of emotional words under competitive situation
|
Li, S. H., and Ho, M. C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:22Z |
Effect of sound on visual persistence
|
Lo, S. Y., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:22Z |
Competition of emotional words for attentional resource
|
Li, S. H.,; Ho, M. C.,; Yeh, S. L.; Li, S. H.,; Ho, M. C.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:22Z |
Asymmetric cross-modal effect on time perception depends on stimulus duration
|
Chen, K. M.,; Yeh, S. L.; Chen, K. M.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:22Z |
Subliminal spatial cues capture attention and cause reversed object effects
|
Chou, W. L., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:21Z |
Slower response to invisible negative emotion: Stimulus-specific or stimulus-general?
|
Yang, Y. H., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:21Z |
Seeing from where you are hearing: The cross-modal facilitation from audible sound to invisible visual stimuli
|
Yang, Y. H., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T08:11:21Z |
Perceptual fading as revealed by perceptual filling-in and motion-induced blindness
|
Hsu, L.C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:32:00Z |
CLASSIFICATION OF THE SHAPES OF CHINESE CHARACTERS: VERIFICATION BY DIFFERENT PREDESIGNATED CATEGORIES AND VARIED SAMPLE SIZES
|
Lim, Jing-Ling; Chen, Kuang-Ming; Yeh, Su-Ling; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:59Z |
Catch the moment: Multisensory enhancement of rapid visual events by sound
|
Chen, Y.-C.;Yeh, S.-L.; Chen, Y.-C.; Yeh, S.-L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:59Z |
Asymmetric cross-modal effects in time perception
|
Chen, K.-M.; Yeh, S.-L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:58Z |
An invisible face becomes visible with a voice
|
Yang, Y. H.,;Yeh, S. L.; Yang, Y. H.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:57Z |
Readers of different Chinese scripts use different strategies to recognize Chinese characters
|
Cheng, H. W., and Yeh, S. L., and Li, J. I., and Shu, H., and Caldwell-Harris, C. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:57Z |
Linking two Cross-modal attention in the pause-and-go fan illusions with attentive tracking and contrast-dependent motion
|
Yeh, S. L., and Chiu, C. H., and Hsiao, C. H.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:57Z |
Bimodal time perception is statistically optimal
|
Chen, K. M.,; Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:56Z |
Figural competition as revealed by perceptual filling-in and motion-induced blindness
|
Hsu, L. C., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:56Z |
Emotional cue facilitates implicit processing of human face
|
Yang, Y. H., and Yeh, S. L.; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:56Z |
聲音減低後向遮蔽效果
|
陳奕霖 and 葉素; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:56Z |
音樂與演唱影像的整合對於情緒判斷的影響
|
蘇紳源;葉素; 蘇紳源; 葉素; SU-LING YEH |
| 臺大學術典藏 |
2018-09-10T07:31:56Z |
Unmasking the dichoptic mask by sound
|
Yeh. S. L., and Yang, Y. H.; SU-LING YEH |
