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"tsai robin chen hsing"的相关文件
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| 淡江大學 |
2022-03-31 |
Climate Change, Zoonosis, and Narrative of Disease in Lawrence Wright's The End of October
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2018-12-30 |
Speculating Extinction: Eco-accidents, Solastalgia, and Object Lessons in Wu Ming-yi's The Man with the Compound Eyes
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2017-12 |
Introduction: Contexts and Paradigms for Ecological Engagement
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2017-06-26 |
Climate Change, Chaosmosis, and the Ecosophic Object in Norman Spinrad's Greenhouse Summer
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2017-06 |
The Anthropocene, the Hyperobject, and Climate Ethics in Arthur Herzog's Heat
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2016/06 |
Toxic Objects, Slow Violence, and the Ethics of Trans-Corporeality in Chi Wen-Chang’s The Poisoned Sky
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2013 |
Toxic Objects, Slow Violence, and the Ethics of Transcorporeality in Chi Wen-chang's Zhebi de tiankong (The Poisoned Sky)
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2012-12 |
Gary Snyder: Translator and Cultural Mediator Between China and the World
|
Tsai, Robin Chen-Hsing |
| 淡江大學 |
2011-12 |
(Post)Modernity in the penal colony: Richard Flanagan’s Gould’s Book of Fish
|
Tsai, Robin Chen-hsing |
| 淡江大學 |
2010/04/30 |
Key Readings in Ecology
|
Tsai, Robin Chen-Hsing;Chou, Serena;Redmer, Guy |
显示项目 1-10 / 17 (共2页)
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