| 國立臺灣師範大學 |
2014-10-27T15:39:39Z |
Monsters, Perversion, and Enjoyment
|
黃涵榆 |
| 國立臺灣師範大學 |
2014-10-27T15:39:39Z |
Monsters, Perversion, and Enjoyment
|
黃涵榆 |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
Field Day Revisited (2)
|
Lin, Yu-chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
Vierges en Fleurs
|
Chen, Chun-yen |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
The Grammaticalization of Jiushi and Jiushishuo in Mandarin Chinese
|
Yung-o Biq |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
Derrida and the Problem of Ethics
|
Shyh-jen Fuh |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
Nervous Tracery
|
Murphy, Joseph C. |
| 國立臺灣師範大學 |
2014-10-27T15:39:40Z |
Nervous Tracery
|
Murphy, Joseph C. |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Resisting the Lure of the Fetish
|
Yuh-yi Tan |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Empathy and Its Others
|
Benda, Jonathan |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Writing the Melancholic
|
Su, Tsu-chung |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Spectral History: Unsettling Nation Time in "The Last Communist"
|
Fiona Lee |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Dialectical Narrative Strategy and the "Angel of History" in Two Early Stories by Huang Chun-ming
|
J. B. Rollins; Paochai Chiang |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Empathy and Its Others
|
Benda, Jonathan |
| 國立臺灣師範大學 |
2014-10-27T15:39:41Z |
Writing the Melancholic
|
Su, Tsu-chung |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
Farce, Pathos and Absurdity in Stephen Chow's Film Comedies
|
Eric K.W. Yu |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
Foreword: Disciplining Time
|
Chun-Yen Chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
The Remains of History: Gao Xingjian’s Soul Mountain and Wuhe’s
|
Andrea Bachner |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
Towards a Continuous View of Human and Nonhuman Persons
|
Patricia Haseltine |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
Water in the City
|
Bruce Allen |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
The Aporia of Time in Graham Swift's Waterland
|
Cook, Rufus |
| 國立臺灣師範大學 |
2014-10-27T15:39:42Z |
Water in the City
|
Bruce Allen |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Wordsworth Studies and the Ethics of Criticism
|
Yu, Eric K. W. |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Becoming Modernized or Simply "Modern"?
|
Hsien-hao Sebastian Liao |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Reconfiguring the Past
|
Jung Su |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Memory, Forgetting, and Joyce in the Third Millennium
|
Lin, Yu-chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
An Outsider’s Perspectives on Asian Canadian Studies: A Response to Donald Goellnicht
|
Kate Chiwen Liu |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Afterword: Documentary Filmmaking as Ethical Production of Truth
|
Kuei-Fen Chiu |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
No Subject Experiences Twice
|
Steven Shaviro |
| 國立臺灣師範大學 |
2014-10-27T15:39:43Z |
Afterword: Documentary Filmmaking as Ethical Production of Truth
|
Kuei-Fen Chiu |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
“[T]o be in touch with some otherness”: Memory, History, and Ethics in Brian Friel’s Dancing at Lughnasa*
|
Yu-chen Lin |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Bakhtin's "Existence as Dialogue" and Wordsworth's Confession
|
Pauline Ling-Hwai Wu |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Cross-Cultural Nostalgia and Visual Consumption
|
Xiao, Hui |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Against the “Uprush of Modern Progress”: Exploring the Dilemma and Dynamics of Modernity in George Orwell’s Burmese Days
|
Angelia Poon |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Style as the man
|
Fang, Po |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Father's Farmland, Daughter's Innerland
|
Ying-chiao Lin |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Never Divide and Love
|
Kazuyuki Hara |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Metamorphosis and the Genesis of Xenos
|
Ronald Bogue |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Bakhtin's "Existence as Dialogue" and Wordsworth's Confession
|
Pauline Ling-Hwai Wu |
| 國立臺灣師範大學 |
2014-10-27T15:39:44Z |
Against the “Uprush of Modern Progress”: Exploring the Dilemma and Dynamics of Modernity in George Orwell’s Burmese Days
|
Angelia Poon |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Force of Psyche
|
Joyce C. H. Liu |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Silence, Speech, and Speculative Music in Kafka’s “Investigations of a Dog”
|
Frank W. Stevenson |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Mastery and Mock Dialectic in Thomas Bernhard's Correction
|
Jeffrey W. Salyer |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Foreword
|
Hanping Chiu |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
When Third-World Expatriate Meets First-World Peace Corps Worker
|
Chang, Joan Chiung-huei |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
The Writing of the Dionysian
|
Tsu-chung Su |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
When Cinematic Time Folds into Embodied Time
|
Nai-nu Yang |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Out of the Biopolitical Double Bind
|
Hung-chiung Li |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Discourse Functions of Anne in Taiwanese Southern Min
|
張妙霞; Miao-Hsia Chang |
| 國立臺灣師範大學 |
2014-10-27T15:39:45Z |
Discourse Functions of Anne in Taiwanese Southern Min
|
張妙霞; Miao-Hsia Chang |
