| 國立臺灣師範大學 |
2014-10-27T15:39:46Z |
A Cock-and-Bull Story?
|
Kuo-jung Chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:46Z |
A Cock-and-Bull Story?
|
Kuo-jung Chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
The Omnipotence of Simulacra
|
Peter Morgan |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Le Guin's Earthsea Cycle
|
Shu Fen Tsai |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
A Time to Dance: Frank O’Hara Reading Edwin Denby
|
Aaron Deveson |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Mobilizing Literature in the Animal Defense Movement in Britain, 1870-1918
|
Li, Chien-hui |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Derrida and Buddha
|
[ed. by Jin Y. Park] Lefebure, Leo D. |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7
|
Ivy I-chu Chang |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Of Monster and Man
|
Ku, Chung-hao |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Transgressive Flows
|
Lai, Chung-hsiung |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
On Violence, Justice and Deconstruction
|
Chung-hsiung Lai |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Aesthetic Investigations and Foucauldian Practices
|
Douglas Scott Berman |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
The Omnipotence of Simulacra
|
Peter Morgan |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Derrida and Buddha
|
[ed. by Jin Y. Park] Lefebure, Leo D. |
| 國立臺灣師範大學 |
2014-10-27T15:39:47Z |
Le Guin's Earthsea Cycle
|
Shu Fen Tsai |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Why a Construction
|
蘇以文; Lily I-wen Su |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Stretching Language to Its Limit
|
Frank Stevenson |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Feminism and the Human
|
Carla F. Scott |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
From America Town to America
|
Oh, Stella |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
"Masters of the Wild"
|
Chrulew, Matthew |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
“Still More Distant Than the Most Distant Stars”
|
Frank Stevenson |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
The Reception of George Orwell in Taiwan
|
Te-hsing Shan |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Elephants as Enemies in Ancient Rome Shelton
|
Jo-Ann |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Hybridization as the Postcolonial Anti-Exotic in Larissa Lai's Salt Fish Girl
|
Kate Chiwen Liu |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Orwell and Kipling: Global Visions
|
Douglas Kerr |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
The Heterotopic Agent in Chu T'ien-hsin's "The Old Capital"
|
Chien-Hsin Tsai |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Elephants as Enemies in Ancient Rome Shelton
|
Jo-Ann |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
The Reception of George Orwell in Taiwan
|
Te-hsing Shan |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
From America Town to America
|
Oh, Stella |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Orwell and Kipling: Global Visions
|
Douglas Kerr |
| 國立臺灣師範大學 |
2014-10-27T15:39:48Z |
Orwell and Kipling: Global Visions
|
Douglas Kerr |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Poe's Gothic Stereography
|
Stevenson, Frank |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Narrating Sense, Ordering Nature: Darwin's Anthropological Vision
|
Nihad M. Farooq |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Of "Diminishing Memories" and "Old Places": Singaporean Films and the Work of Archiving Landscape
|
Gaik Cheng Khoo |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Reflections on the Politics and Location of Knowledge Making in a Time of Crisis
|
Christopher L. Connery |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
The Trope of an Upside-Down World
|
Chiang, Hsiao-chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Difference and Repetition in Deleuze's Proustian Sign and Time Machine
|
Ronald Bogue |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Of Animals and Men
|
Chien, Jui-pi |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
“World Gone Wrong”
|
Wilson, Rob |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
The Return of the Ancestors
|
周英雄 |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Partiality, Obliqueness, Reticence
|
Duncan McColl Chesney |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
"The Body in Pain"
|
Elizabeth Irene Smith |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Paranoid Designs
|
Gutiérrez-Jones, Carl |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Partiality, Obliqueness, Reticence
|
Duncan McColl Chesney |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
“World Gone Wrong”
|
Wilson, Rob |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Poe's Gothic Stereography
|
Stevenson, Frank |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Becoming Bear
|
Haseltine Patricia |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Fall-Redemption Theme and the Function of the "Spots of Time" in Wordsworth's Prelude
|
Yu-san Yu |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Data-Subject and Its Freedom
|
Chia-yi Lee |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Complicating the Reading of Nineteenth-Century American Landscape Painting: Albert Bierstadt’s Western Visions, Aesthetics, and Sociology
|
Michaela Keck |
