| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Of Animals and Men
|
Chien, Jui-pi |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
“World Gone Wrong”
|
Wilson, Rob |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
The Return of the Ancestors
|
周英雄 |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Partiality, Obliqueness, Reticence
|
Duncan McColl Chesney |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
"The Body in Pain"
|
Elizabeth Irene Smith |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Paranoid Designs
|
Gutiérrez-Jones, Carl |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Partiality, Obliqueness, Reticence
|
Duncan McColl Chesney |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
“World Gone Wrong”
|
Wilson, Rob |
| 國立臺灣師範大學 |
2014-10-27T15:39:49Z |
Poe's Gothic Stereography
|
Stevenson, Frank |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Becoming Bear
|
Haseltine Patricia |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Fall-Redemption Theme and the Function of the "Spots of Time" in Wordsworth's Prelude
|
Yu-san Yu |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Data-Subject and Its Freedom
|
Chia-yi Lee |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Complicating the Reading of Nineteenth-Century American Landscape Painting: Albert Bierstadt’s Western Visions, Aesthetics, and Sociology
|
Michaela Keck |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Neoliberal Self-Governance and Popular Postfeminism in Contemporary Anglo-American Chick Lit
|
Eva Yin-i Chen |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Reconciling Bloomsbury's Aesthetics of Formalism with the Politics of Anti-Imperialism
|
Hsiu-ling Lin |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
From a Motion Verb to an Aspect Marker
|
王富美; Leslie Fu-mei Wang |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Thinking Otherwise
|
Jung Su |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Monkey Unbound?
|
Mizoguchi, Akiko |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Corpus-based Lexical Semantic Study of Verbs of Doubt
|
劉美君; Mei-chun Liu |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
Complicating the Reading of Nineteenth-Century American Landscape Painting: Albert Bierstadt’s Western Visions, Aesthetics, and Sociology
|
Michaela Keck |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
From a Motion Verb to an Aspect Marker
|
王富美; Leslie Fu-mei Wang |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Fall-Redemption Theme and the Function of the "Spots of Time" in Wordsworth's Prelude
|
Yu-san Yu |
| 國立臺灣師範大學 |
2014-10-27T15:39:50Z |
The Fall-Redemption Theme and the Function of the "Spots of Time" in Wordsworth's Prelude
|
Yu-san Yu |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Beyond the Body
|
Lee, Chia-yi |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
A Comparison of the English Reading Comprehension Passages and Items in the 1999 College Entrance Examinations of Hong Kong, Taiwan and Mainland China
|
Hengsyung Jeng |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
The Uses of Brevity: Valuing the “No More to Be Said” in Jean Echenoz’s Plan of Occupancy and the Transcontinental “Critical Novel”
|
Thomas Phillips |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Politicizing Cognition
|
Chaoyang Liao |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Disease, Empire, and(Alter)Native Medicine in Louise Erdrich's Tracks and Winona LaDuke's Last Standing Woman
|
Huang, Hsinya |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
What Remains of Tiananmen?
|
Erik Bordeleau |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
“The Appetite as Voice”: Gerty, Food, and Anorexia
|
Hsing-chun Chou |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Introduction
|
Fang-mei Lin |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Nomadic Flows
|
Bogue, Ronald |
| 國立臺灣師範大學 |
2014-10-27T15:39:51Z |
Becoming Mole(cular), Becoming Noise
|
Stevenson, Frank W. |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Malabou, Plasticity, and the Sculpturing of the Self
|
Hugh J. Silverman |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Hysteria, the Medical Hypothesis, and the “Polymorphous Techniques of Power”
|
Su, Tsu-chung |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Empirical Evidence on Character Recognition in Multimedia Chinese Tasks
|
靳洪剛; Hong Gang Jin |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
(Trans)National Imaginary and Tropical Melancholy in Jessica Hagedorn's Dogeaters
|
Chen, Shu-ching |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Transnational Affect
|
Hsiao-hung Chang |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Asymmetry in Madarin Consonant Articulations
|
I-Ping Wan |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
The Desire to Feed or the Desire to Be Fed?
|
Tsung-huei Huang |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Feeling for “Comfort Women”
|
Hung, Celina Tzu-hui |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Eating, Cleaning, and Writing
|
Ku, Chung-hao |
| 國立臺灣師範大學 |
2014-10-27T15:39:52Z |
Asymmetry in Madarin Consonant Articulations
|
I-Ping Wan |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
On the Horizon
|
Frank Stevenson |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
The Gaze of the Other in Ang Lee's Crouching Tiger, Hidden Dragon and Hitchcock's The Birds
|
Anonymous |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
Color (Un)conscious
|
Li-Chun Hsiao |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
The Importance of Making Ashamed
|
Tsung-huei Huang |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
Exteriority, Laughter and Comic Sacrifice in Hawthorne’s “My Kinsman, Major Molineux”
|
Frank Stevenson |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
Seeing is Believing
|
Aviva Dove-Viebahn |
| 國立臺灣師範大學 |
2014-10-27T15:39:53Z |
The Digital Emergence of a New History: The Archiving of Colonial Japanese Documentaries on Taiwan
|
Yu-Lin Lee |
