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設有哲學、中國文學與史學三個系所The community's search engineSearch the Channels
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風景、國家與地方社會:近代陽明山形象的建構與轉變(1936-1962)
https://irlib.pccu.edu.tw/handle/987654321/53333
title: 風景、國家與地方社會:近代陽明山形象的建構與轉變(1936-1962) abstract: 本計畫目的在說明風景意象的形成原因及其演變。學術面上,旨在證明風景並非自然而然地出現,亦非一層不變,亦未由上而下或由下而上地傳播,其為知識、權力及個人感受等多重因素交織下,在不同行動者互動中,演變出來的一種動態的過程。社會面上,不僅將有助於深化地方學之研究,亦可培育對台灣史、文化史、社會史有興趣之人才。
<br>「再經驗過去」是可能的嗎?歷史想像力、歷史移情和歷史理解概念的考察
https://irlib.pccu.edu.tw/handle/987654321/53326
title: 「再經驗過去」是可能的嗎?歷史想像力、歷史移情和歷史理解概念的考察 abstract: 本研究預計以三年的時間,將收集、分析和運用近二十年來西方學界在歷史哲學、心理學、認知神經科學、及其他社會科學各領域,與歷史想像力、歷史移情和歷史理解三個概念相關的最新研究成果,以期能夠幫助歷史教師對歷史思維能力的內涵有更深入和完整的認識,並且對歷史學科的教學理論和課程設計等方面有所貢獻。
<br>傳教士筆下的晚清政局:以《教務雜誌》 (The Chinese Recorder)為中心的探討(1900-1911)
https://irlib.pccu.edu.tw/handle/987654321/53312
title: 傳教士筆下的晚清政局:以《教務雜誌》 (The Chinese Recorder)為中心的探討(1900-1911) abstract: 《教務雜誌(1867-1941)》在眾多有關基督教的史料中,當屬最為重要。其內容甚為詳實豐富,並有其一定程度的公信力與權威性,而且持續出版長達七十五年之久。《教務雜誌》作為一個能長期提供傳教士間互通訊息的平臺,已使它成為在中國基督教史上最珍貴的文獻史料之一,其在研究中國基督新教史史料價值上,不可或缺的第一手重要文本。
二十世紀初的中國,在政治、社會、經濟、文化,思想處於急劇的變動,乃至於基督教在中國的發展,尤其與晚清變動政局中的庚子事變、教育變革、立憲運動、革命運動,辛亥革命以及此後的政治變動,至關緊密相聯。從這個意義上來說,傳教士的入華和植根,不僅是中國基督教史發展的結果,也是中國近代史在宏觀上發展的結果。
1900年,庚子事變後,中國前所未有地向世界開放,隨著清末新政的逐步展開傳教士對清政府能夠帶領中國走向進步的態度由疑慮到理解,進而支持到讚許。1905年後,清政府統治下的各項改革取得一定的成就;然而災荒頻仍、民變四起,地方民眾顯露出不滿的情緒,加上滿、漢關係的矛盾加劇,中國的形勢愈加詭譎多變。傳教士雖然欲以深刻理解中國的形勢,但掌握訊息過於支離片段,不夠全面完整,難以作出精準的判斷。清季革命運動時期,以及1911年辛亥革命爆發後,各差會傳教士們的態度複雜,顯有差異,大體上經歷了從震驚、觀望、讚揚、肯定的過程。至終,傳教士對於辛亥鼎革,視為發展基督教事業的契機,擴大其對革命新政權的影響,並利用這一機會促進基督教會自身的變革,開啟民國時期的黃金時代。
本論文據以《教務雜誌》為文本,透過傳教士的眼睛與評論變動中的晚清政局(1900-1911),從另一個側面反映這一段歷史。
"The Chinese Recorder and Missionary Journal(1867-1941)" is the most important among many historical materials about Christianity. Its content is rich, credible and authoritative, and it has been published for the longest time. As a platform that can provide information exchange among missionaries for a long time, " The Chinese Recorder " has been published for a long time and has become one of the most precious documents and historical materials in the history of Christianity in China. Its value as a historical material in the history of Chinese Protestantism cannot be exceeded Important first-hand texts that are indispensable.
At the beginning of the 20th century, China was undergoing drastic changes in politics, society, economy, culture, and thinking, and even the development of Christianity in China, especially in conjunction with the Gengzi Incident, educational reforms, constitutional movements, and revolutionary movements in the changing political situation of the late Qing Dynasty. , the Revolution of 1911 and subsequent political changes are closely linked. In this sense, the entry and establishment of missionaries in China is not only the result of the development of China's Christian history, but also the result of the macro development of China's modern history.
In 1900, after the Gengzi Incident, China opened up to the world as never before. As the New Deal gradually unfolded in the late Qing Dynasty, missionaries' attitude towards the Qing government's ability to lead China to progress changed from doubt to understanding, and then support to praise. After 1905, various reforms under the rule of the Qing government achieved certain achievements; however, frequent famines and civil riots occurred, local people showed dissatisfaction, and the conflicts between Manchu and Han intensified, the situation in China became increasingly treacherous and changeable. Although the missionaries wanted to deeply understand the situation in China, the information they had was too fragmented and not comprehensive enough to make accurate judgments. During the revolutionary movement in the Qing Dynasty and after the outbreak of the Revolution of 1911 in 1911, the attitudes of missionaries in various mission societies were complicated and obviously different. Generally speaking, they went through a process of shock, wait and see, praise, and affirmation. In the end, missionaries viewed the Revolution of 1911 as an opportunity to develop Christianity, expand its influence on the new revolutionary regime, and use this opportunity to promote the transformation of the Christian church itself, ushering in the golden age of the Republic of China.
This dissertation is based on the " The Chinese Recorder " as the text, observing and commenting on the changing political situation of the late Qing Dynasty (1900-1911) through the eyes of missionaries, reflecting this period of history from another aspect.
<br>宋詞中「蜂」的意象研究
https://irlib.pccu.edu.tw/handle/987654321/53310
title: 宋詞中「蜂」的意象研究 abstract: 本論文題為《宋詞中「蜂」的意象研究》,其研究動機是筆者在考察有關昆蟲文學意象的研究後,發現提及蜂的意象,大多僅代表春天意象而無其他意義,而其意象種類也比蟬、蝶、蠶、蟋蟀等其他昆蟲少,進而想再加以考察及驗證。
研究方法為先蒐羅大量有提及蜂的古籍史料,以了解中國各朝代對蜂的認識,包含養蜂的技術及各類蜂的差異。又詳讀宋朝以前提及蜂的詩詞作品,查找有關蜂詩作的古籍和專書,加以探討蜂的意象;再細查宋詞中提及蜂的詞作並探討其意象,最後整理出宋詞蜂意象的意象種類和寫作特色;以及宋詞蜂意象相比於過往蜂意象的獨特之處。
經過考察發現,蜂的意象並非只有代表春天,在宋朝以前的詩詞中,文人會觀察蜂飛採花時的各種飛行姿態,用以加入其中。不論是集中採蜜、散亂飛行,亦或是蜂群攻擊的景象,都能呈現不同的蜂意象,其中主要蜂意象依照多寡分為「為利辛勞」、「思緒煩亂」、「為非作歹」、「時間流逝」等蜂意象,在晚唐時期也開始有「男女情愛」的蜂意象出現於詞中。而在宋詞中因受到詞體的特性影響,「群聚作惡」的蜂意象大量減少,「男女情愛」的蜂意象開始大量出現於宋詞中,宋詞中蜂的意象依照多寡排列變為「男女情愛」、「思緒煩亂」、「為利辛勞」、「時間流逝」、「為非作歹」。從宋詞蜂意象的比例轉變,可以看出宋人對於蜂的看法逐漸轉為正向,蜂意象變為「男女情愛」以及「思緒煩亂」之用,而詞中「男女情愛」的蜂意象也影響後世文學作品中對蜂的用法。
This thesis is titled "A Study on the Imagery of Bees in Song Ci Poetry." The research motivation stems from the author's observation of insect literary imagery, where the mention of bee imagery in particular mostly represents the spring season without additional meanings. The types of bee imagery are also fewer compared to other insects such as cicadas, butterflies, silkworms, and crickets. Therefore, there is a desire to further investigate and verify this observation.
The research methodology involves first collecting a large number of historical materials that mention bees to understand the Chinese perception of bees throughout various dynasties. This includes knowledge about beekeeping techniques and the differences among various types of bees. The study also involves reading poetry and literary works mentioning bees from before the Song Dynasty, exploring ancient texts and specialized books related to bee poems, and discussing the imagery of bees. Furthermore, the study examines Song Ci poems that mention bees, explores their imagery, and categorizes the types and characteristics of bee imagery in Song Ci. Additionally, it compares the bee imagery in Song Ci with earlier representations.
Through the investigation, it is found that bee imagery is not limited to representing the spring season. In pre-Song Dynasty poetry, scholars observed various flight postures of bees when collecting nectar and incorporated them into their works. Whether it is the concentration of honey collection, scattered flight, or the scene of bee swarm attacks, different bee imagery can be presented. The main types of bee imagery are categorized based on abundance as "hardworking for profit," "troubled thoughts," "mischievous deeds," and "the passage of time." In the late Tang Dynasty, there is also the emergence of bee imagery related to "romantic relationships" in poetry. In Song Ci, influenced by the characteristics of the ci genre, the abundance of bee imagery related to "grouping for mischief" significantly decreases, while bee imagery associated with "romantic relationships" becomes prevalent. The arrangement of bee imagery in Song Ci becomes "romantic relationships," "troubled thoughts," "hardworking for profit," "the passage of time," and "mischievous deeds." The shift in the proportion of bee imagery in Song Ci indicates a gradual positive perception of bees among the Song people. Bee imagery transforms into the use of "romantic relationships" and "troubled thoughts." The bee imagery related to "romantic relationships" in ci poetry also influences the portrayal of bees in subsequent literary works.
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