DSpace community: 藝術學院
https://irlib.pccu.edu.tw/handle/987654321/65
藝術學院成立民國52年The community's search engineSearch the Channels
https://irlib.pccu.edu.tw//simple-search
時空寄情-祁慶玲之現代抽象創作論述
https://irlib.pccu.edu.tw/handle/987654321/53316
title: 時空寄情-祁慶玲之現代抽象創作論述 abstract: 藝術作品的美可以引人注目,藝術作品的深奧內涵更能震撼人心。有些作品以絢麗色彩的畫面令人短暫的駐足,但真正具有藝術價值的作品除了視覺享受外,其內蘊更是耐人尋味,令人流連忘返,甚而多次回眸細細品味。不論創作題材處於不同時代的議題或創作者想表達的心情感觸,也因科技的進步發展使用的媒材更加多元豐富,很多觸手可及的材料加上技法的突破,讓當下的創作面向呈現百花齊放,各式的風格,畫面上的色彩、符號及造形其表達美妙之處不可言語,讓觀賞者能被深深吸引並與作品對話產生共鳴,那就達到創作者創作的目的。
本篇論文以「時空寄情」為研究當代抽象創作主題,作者一直期許自己在藝術創作上能與時俱進,將自己處於當下氛圍所產生感觸與領悟的大環境議題,利用有別與以往傳統具象、平面的單線表達,再結合當代科技的產物,利用複合媒材及不斷研發的技法,不管是利用理性的符號、圖案來做畫面的佈局,或是利用有機、感性的線條使其產生律動感與陰柔特質的抽象藝術表現手法,結合造型與美學再加上利用色彩心理學與感知的原理,能創造出多面向思維,引導觀賞者增加心靈互動有當代感的藝術作品。故筆者藉由此創作的研究動機發想,透過設定好的研究架構,期望將此研究過程結合學術理論與創作,能沈澱思考並發現、突破與再創新,期能達到筆者研究目的,並為作者的抽象藝術風格做最好的定位。
The beauty of a work of art can be eye-catching, and the profound connotation of a work of art can be even more shocking. Some works make people stop briefly with their brilliantly colored images, but works with real artistic value, in addition to visual enjoyment, are also thought-provoking and lingering, and even look back many times to savor them. Regardless of the creative subject matter, the issues of different eras or the emotions that the creator wants to express, due to the advancement of science and technology, the media used have become more diverse and richer. Many accessible materials and breakthroughs in techniques have allowed modern creation to flourish, various styles, the colors, symbols and shapes on the pictures express indescribable beauty, allowing viewers to be deeply attracted and resonate with the works, thus achieving the creator's purpose of creation.
This paper takes "Emotions in Time and Space" as the theme of contemporary abstract creation. The author has always hoped that he can keep pace with the times in artistic creation, and use the general environmental issues that he feels and understands in the current atmosphere to make use of differences from previous traditions. concrete, two-dimensional single-line expression, combined with the products of contemporary technology, using composite media and continuously developed techniques, whether using rational symbols and patterns to lay out the picture, or using organic and emotional lines to create rhythm The abstract artistic expression technique of sensuality and femininity, combined with modeling and aesthetics, and the use of the principles of color psychology and perception, can create multi-faceted thinking and contemporary works of art that guide viewers to increase spiritual interaction. Therefore, the author uses the research motivation of this creation to generate ideas, and through setting up a good research structure, he hopes that this research process can be combined with academic theory and creation, so that he can accumulate thinking, discover, break through and innovate again, hoping to achieve the author's research purpose, and make the best positioning for the author's abstract artistic style.
<br>陳哲箏樂作品研究: 以《逐日》、《晨興》、《蹀馬傾杯舞千秋》為例
https://irlib.pccu.edu.tw/handle/987654321/53298
title: 陳哲箏樂作品研究: 以《逐日》、《晨興》、《蹀馬傾杯舞千秋》為例 abstract: 本文以陳哲三首作品《逐日》、《晨興》及《蹀馬傾杯舞千秋》進行深入的詮釋分析,三首作品皆為2017-2018年間的創作。
《逐日》為箏獨奏之作品,完成於2018年2月,為第35屆「上海之春」國際音樂節的委約作品,創作素材採用了上古時期的神話故事「夸父追日」,並以傳統的五聲音階展現新的音樂語法。《晨興》為箏與鋼琴之作品,完成於2017年2月,這首樂曲應著名古箏演奏家毛ㄚ之邀作為毛ㄚ原創劇場行音樂會《老北京胡同》(組曲)第一幕的器樂部分,原名《晨夢初醒》,採用了京韻大鼓的經典之作-《丑末寅初》的素材進行創作。《蹀馬傾杯舞千秋》為箏與箏團之作品,完成於2018年,為陝西秦箏學會主辦之「2018陝西箏樂藝術節」的委約作品,樂曲參考了《敦煌古樂》中第12首《傾杯樂》的音高特點進行創作。
本文分為六個章節,第一章為緒論:包含研究動機與目的、研究對象與範圍、文獻探討及研究方法;第二章為陳哲創作風格之探討;第三至五章分別為《逐日》、《晨興》、《蹀馬傾杯舞千秋》之分析與詮釋;第六章為結論。
The characteristics of Chen Zhe’s Zheng Music.A case study on "In Pursuit of the Sun", "The Sight of the Dawning", and "Dancing Horses at the Grand Tang Dynasty". those are created between 2017 and 2018.
"In Pursuit of the Sun" for Zheng, Completed in February 2018, A commissioned for the 35th "Shanghai Spring" International Music Festival, The creative material adopts the ancient mythical story "Kuafu Chasing the Sun" and uses the traditional pentatonic scale to show new musical grammar.
"The Sight of the Dawning" for Zheng and Piano, Completed in February 2017, Original title: "Morning Dream and First Awakening", The material of the Chinese traditional opera- Jingyun drum "Chou Mo Yin Chu" was used for creation.
"Dancing Horses at the Grand Tang Dynasty" for Zheng and Zheng group, Completed in 2018, A commissioned work for the "2018 Shaanxi Zheng Music Art Festival" hosted by the Shaanxi Qinzheng Society, The music was created with reference to the pitch characteristics of the 12th "Music of the Tilted Wine Cup" in "Dunhuang Pipa Score".
This characteristics is divided into six chapters, The first chapter is the introduction: including research motivation and purpose, research objects and scope, literature discussion and research methods; Chapter 2 is a discussion of Chen Zhe’s creative style; Chapters 3 to 5 are respectively the analysis and interpretation of "In Pursuit of the Sun", "The Sight of the Dawning", and "Dancing Horses at the Grand Tang Dynasty"; Chapter 6 is the conclusion.
<br>趙季平管子協奏曲《絲綢之路幻想組曲》 之作品分析與演奏詮釋
https://irlib.pccu.edu.tw/handle/987654321/53284
title: 趙季平管子協奏曲《絲綢之路幻想組曲》 之作品分析與演奏詮釋 abstract: 古老的東西方文明因絲綢之路交匯編織於一起,也促使古文明的交流發展更加繁盛。絲綢之路作為文化、貿易、藝術的交通樞紐,形成了極具特色的音樂風格,在歷史上頗具影響。
《絲綢之路幻想組曲》以盛唐文化為其創作背景,藉由〈長安別〉、〈古道吟〉、〈西涼州〉、〈樓蘭夢〉、〈龜茲舞〉譜寫出對於古絲路的想像,生動刻畫了神祕的西域風情。
筆者透過管子協奏曲《絲綢之路幻想組曲》作品分析、自身演奏詮釋,作為歸納整理趙季平創作的音樂風格及配器上的特色;分析《絲綢之路幻想組曲》在曲式、曲調、旋律發展手法,探討管子的音樂表情、色彩和風格等多方面的作用和影響,並藉此為筆者在詮釋管子演奏上融合東西方音樂特色有更好之發展。
The ancient civilizations of the East and West intertwined along the Silk Road, fostering rich cultural exchanges and contributing to the flourishing development of ancient societies. Serving as a nexus for cultural, trade, and artistic interactions, the Silk Road gave rise to distinctive musical styles that left a significant impact on history.
The "Silk Road Fantasy Suite," set against the backdrop of the prosperous Tang Dynasty, creatively explores the ancient Silk Road through compositions such as "Farewell in Chang'an," "Song of the Ancient Path," "Western Liang Province," "Dream of Loulan," and "Dance of Kucha." These pieces vividly depict the mysterious and enchanting ambiance of the Western Regions.
Through the analysis and personal interpretation of Zhao Jiping's concerto "Silk Road Fantasy Suite" for the bamboo flute, the author delves into the composer's musical style and distinctive instrumentation. The study examines the suite's structure, tonalities, melodic development techniques, and explores the multifaceted role and influence of the bamboo flute, shedding light on its musical expressions, colors, and stylistic nuances. This research aims to facilitate the author's integration of Eastern and Western musical characteristics in the interpretation of bamboo flute performances.
<br>舒曼《五首民謠風小品作品,102》分析與詮釋
https://irlib.pccu.edu.tw/handle/987654321/53283
title: 舒曼《五首民謠風小品作品,102》分析與詮釋 abstract: 本論文以羅伯特.舒曼 (Robert Schumann, 1810-1856)《五首民謠風小品,作品102》作為研究主題。舒曼於1849年在德勒斯登以民謠風格創作了這部作品,五首民謠風小品分別為〈幽默的〉、〈緩慢的〉、〈不快速,以豐厚的音演奏〉、〈不太急促的〉與〈強而明確的〉。筆者藉由探討樂曲之不同的主題特色、速度變化,分析這五首小品,並提供詮釋方向。
論文分為五章:第一章為緒論,說明研究動機與目的。第二章為樂曲之創作背景。第三章為《五首民謠風小品》作品詳細分析,以深入研究了解作曲家之創作手法。第四章為提供《五首民謠風小品》之演奏詮釋。第五章為本論文之結語,整合筆者對舒曼五首小品研究之成果及探討。
The topic of this research is Robert Schumann's Five Pieces in Folk Style, Op. 102. Schumann composed this work in Dresden in 1849. The five pieces are Mit Humor, Langsam, Nicht schnell, Mit viel Ton zu spielen, Nicht zu rasch, and Stark und markiert. In this study, the author analyzes these five pieces through exploring the different characteristics, tempi changes and provides interpretation suggestions.
The thesis is divided into five chapters: chapter one is the introduction, stating the motivation and purpose of the research. The second chapter is about the background of the work and the composer's life and musical style. The third chapter is the detailed analysis of the work. The fourth chapter discusses the performance interpretation of this work. The fifth chapter is the conclusion of this thesis, integrating the author's research results and discussions on Schumann's Five Pieces in Folk Style for Cello and Piano.
<br>