| 國立政治大學 |
2019-07 |
The most polite age is in danger of being most vicious
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2019-03 |
Introduction: Romantic Legacies: An Incomplete Project, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan
|
趙順良; Chao, Shun-liang; Corrigan, John Michael |
| 國立政治大學 |
2019-03 |
The world must be made Romantic: The Sentimental Grotesque in Tetsuya Ishida's 'Self-Portraits of Others, Romantic Legacies: Transnational and Transdisciplinary Contexts, ed. Shun-liang Chao and John Michael Corrigan
|
趙順良; Chao*, Shun-liang |
| 國立政治大學 |
2019-03 |
'The world must be made Romantic': The Sentimental Grotesque in Tetsuya Ishida's 'Self-Portraits of Others',
|
趙順良; Chao, Shun-liang* |
| 國立政治大學 |
2019-03 |
Romantic Legacies: Transnational and Transdisciplinary Contexts, co-edited with John Michael Corrigan
|
趙順良; Chao, Shun-liang*; Corrigan, John Michael |
| 國立政治大學 |
2018-08 |
Humour in the Arts: New Perspectives, co-edit with Vivienne Westbrook
|
趙順良; Chao, Shun-liang; Westbrook, Vivienne |
| 國立政治大學 |
2018-08 |
[R]omantic is [that] which presents a sentimental theme in a fantastic form
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2018-08 |
Reading Humorously: Towards New Perspectives, Humour in the Arts: New Perspectives, ed. Vivienne Westbrook and Shun-liang Chao
|
趙順良; Chao, Shun-liang*; Westbrook, Vivienne |
| 國立政治大學 |
2018-08 |
Introduction: Reading Humorously: Towards New Perspectives,
|
趙順良; Chao*, Shun-liang; Westbrook, Vivienne |
| 國立政治大學 |
2018-07 |
Reading Humorously: Towards New Perspectives, Humour in the Arts: New Perspectives, ed. Vivienne Westbrook and Shun-liang Chao (forthcoming)
|
Westbrook, Vivienne; 趙順良; Chao, Shun-liang |
| 國立政治大學 |
2018-07 |
A Tomato Is Also a Child's Balloon': Surrealist Humour as a Moral Attitude
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2018-04 |
The Modernist Grotesque: Physical Deformity and Social Reform in Tetsuya Ishida’s Paintings
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2018-04 |
Saving the World with Brushstrokes: Tetsuya Ishida’s “Self-Portraits of Others”
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2017-10 |
Humour in the Arts: New Perspectives, co-edit with Vivienne Westbrook (under contract with Routledge)
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2017-08 |
Romantic Legacies: Transnational and Transdisciplinary Contexts
|
柯瑞強; Corrigan, John Michael; 趙順良*; Chao, Shun-liang* |
| 國立政治大學 |
2017-05 |
A City of Sadness: Sentimental Pain and Social Sympathy in Tetsuya Ishida's Urban Paintings
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2017 |
The Alchemy of Photography: Hybridity, Nature, and "Grotesque Realism" in Jerry Uelsmann's Photomontages (forthcoming in 59.2, 2017)
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2016-07 |
The Visual Language of Pain: Ishida’s Paintings as a Case Study
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2015-08 |
‘The desire of the moth for the star’: Emma’s Romantic Pursuit of Absolute Love in Madame Bovary
|
趙順良; Chao, Shun-liang |
| 國立交通大學 |
2015-03-18T01:42:10Z |
「無畸不美」：波特萊爾的《惡之華》
|
趙順良 |
| 國立交通大學 |
2015-03-16T07:57:43Z |
英國文學（二）
|
趙順良 |
| 國立交通大學 |
2014-12-13T10:46:16Z |
「詭態寫實主義」---Uelsmann的詭態攝影蒙太奇
|
趙順良; Chao Shun-liang |
| 國立交通大學 |
2014-12-12T02:39:59Z |
面對生命/摯愛的遠逝:愛倫坡作品中的創傷與憂鬱
|
葉家馨; Yeh, Chia-Hsin; 趙順良; 李家沂; Chao, Shun-Liang; Lee, Chia-Yi |
| 國立政治大學 |
2014-06 |
「朽孕同體、生死合一」：尤斯曼攝影蒙太奇中的詭態身體
|
趙順良; Chao, Shun-Liang |
| 國立政治大學 |
2014-06 |
「朽孕同體、生死合一」： 尤斯曼攝影蒙太奇中的詭態身體
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2014-06 |
''Le vertige de l''hyperbole'': Baudelaire, Longinus, and the Poetics of Excess
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2014 |
Le vertige de l'hyperbole': Baudelaire, longinus and the poetics of excess
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2013.06 |
Le vertige de l''hyperbole'': Baudelaire Longinus and the Poetics of Excess
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2012.05 |
「無稽的樂趣」：布荷東、佛洛伊德與童年
|
趙順良 |
| 國立政治大學 |
2012 |
「詭態寫實主義」：Uelsmann的詭態攝影蒙太奇
|
趙順良 |
| 國立政治大學 |
2012 |
「誇喻之狂喜」：波特萊爾、朗基尼司與過度之美
|
趙順良 |
| 國立政治大學 |
2011.03 |
(後)現代高達：《賴活》
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2010.12 |
Education as a Pharmakon in Mary Shelley''s Frankenstein.
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2010-12 |
Education as a Pharmakon in Mary Shelley's Frankenstein
|
趙順良 |
| 國立政治大學 |
2010-04 |
Rethinking the Concept of the Grotesque: Crashaw Baudelaire Magritte
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2010-04 |
Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
|
趙順良 |
| 國立政治大學 |
2009.02 |
Review of Metaphor by David Punter
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2009-02 |
Book Review: Metaphor by David Punter, 2007. London and New York: Routledge
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2008.09 |
Fusion Style: Towards a Poetics of the Grotesque Body.
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2008-09 |
Fusion Style: Towards a Poetics of the Grotesque Body
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2006.09 |
Derrida''s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing.
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2006-09 |
Derrida''s Deconstruction and the Rhetoric of Proper Genres in Leonardo and Lessing
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
2006-05 |
To Form a New Compound: Eliot, Bergson, and Cubism
|
趙順良; Chao, Shun-liang |
| 國立政治大學 |
1996 |
視覺詩的美學--以文藝復興的圖象詩及康明思的視覺詩為例
|
趙順良; Chao, Shun-Liang |
