| 臺大學術典藏 |
2022-08-24T03:33:11Z |
Visconti’s Proust
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:10Z |
Proust and the Ideology of Film adaptation
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:10Z |
Proust and Persistenc
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:09Z |
Film Aesthetics and the Image of Time: Film Theory Since Deleuze
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:09Z |
Shakespeare’s American Inheritors II: William Faulkner
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:08Z |
Beckett’s Silences and Late Modernity
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:08Z |
The Long Take and the Time Image in Recent Chinese Cinemas: A Reconsideration
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:08Z |
‘The voice alone is company but not enough’: Memory and Healing in Late Beckett
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:07Z |
James Joyce, J.M. Coetzee, and Truth in Fictional Autobiography: Generic Hybridity and the Claims of Fiction
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:07Z |
J.M. Coetzee, Serious Fiction, and the Stakes of Literature
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:07Z |
“The Importance of Realism in the Development of Cinematic Modernization: The Example of Taiwanese New Cinema” with Chang-Min Yu. 29 September 2012.
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:06Z |
Michael K: Coetzee Between Beckett and Kafka
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Serious Fiction: Coetzee and Kert?sz Under the Sign of K
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Serious Fiction: Coetzee, the Sympathetic Imagination, and Aesthetic Education; [Roundtable discussion]: An Aesthetic Education in the Era of Globalization
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Beckett’s Worldly Inheritors: Coetzee and Beckett: The Example of Michael K
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
Spinoza and the Politics of the Matrix
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
Literature and the Global Public: Serious Fiction and World Literature
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
How it is and the Politics of Art
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:02Z |
An Essay against Global Literature: Literature and the Global Public
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2020-11-12T01:28:46Z |
清廉潔白な奉行人―室町幕府奉行人依田時朝に関する一考察―
|
DUNCAN DONALD CHESNEY; TOSHITAKA KAMEDA |
| 臺大學術典藏 |
2020-01-16T05:52:17Z |
The Philosophical Significance of Deliberative Democracy in East Asian STS Studies
|
JEU-JENQ YUANN; 苑舉正; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2019 |
The Politics of the Novel circa 1965: Reading Brooke-Rose with Ngugi wa Thiong’o
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Serious Fiction: Coetzee and Kert?sz Under the Sign of K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Serious Fiction: Coetzee and Kert?sz Under the Sign of K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Serious Fiction: Coetzee and Kert?sz Under the Sign of K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Milcz?cy Cz?owiek: Michael K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Milcz?cy Cz?owiek: Michael K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Milcz?cy Cz?owiek: Michael K
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Beckett’s Worldly Inheritors
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Beckett’s Worldly Inheritors
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Beckett’s Worldly Inheritors
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Aesthetic Education and Sympathetic Imagination
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Aesthetic Education and Sympathetic Imagination
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Aesthetic Education and Sympathetic Imagination
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Humans among the Other Animals: Planetarity, Responsibility, and Fiction in Disgrace and Wolf Totem
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Humans among the Other Animals: Planetarity, Responsibility, and Fiction in Disgrace and Wolf Totem
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T14:57:23Z |
Humans among the Other Animals: Planetarity, Responsibility, and Fiction in Disgrace and Wolf Totem
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
The Long Take and the Time Image in Recent 'Chinese' Cinemas: Realism Reconsidered
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
The Long Take and the Time Image in Recent 'Chinese' Cinemas: Realism Reconsidered
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
The Long Take and the Time Image in Recent 'Chinese' Cinemas: Realism Reconsidered
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:47:33Z |
Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:21:45Z |
Beckett, Minimalism, and the Question of Postmodernism
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:21:45Z |
Beckett, Minimalism, and the Question of Postmodernism
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T09:21:45Z |
Beckett, Minimalism, and the Question of Postmodernism
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T08:41:37Z |
Partiality, Obliqueness, Reticence: Some Thoughts on Life, Death, and
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T08:41:37Z |
Partiality, Obliqueness, Reticence: Some Thoughts on Life, Death, and
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T08:41:37Z |
Partiality, Obliqueness, Reticence: Some Thoughts on Life, Death, and
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2018-09-10T08:41:37Z |
Beckett's Silences and Late Modernity
|
DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY; DUNCAN DONALD CHESNEY |
