|
English
|
正體中文
|
简体中文
|
2832440
|
|
???header.visitor??? :
33811349
???header.onlineuser??? :
1421
???header.sponsordeclaration???
|
|
|
???tair.name??? >
???browser.page.title.author???
|
"hsiao mei hsieh"???jsp.browse.items-by-author.description???
Showing items 1-25 of 50 (2 Page(s) Totally) 1 2 > >> View [10|25|50] records per page
臺大學術典藏 |
2022-03-03T05:34:54Z |
歌仔戲《人間盜》的實驗精神
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:53Z |
Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:53Z |
Transforming Tradition: the Double Meanings of Opela
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:53Z |
《卲江海》:幾個無法割捨之景
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:52Z |
兩岸歌仔戲的發展方向
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:52Z |
Two Versions of Shao Jianghai: Politics of Theatre Historiography in China
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:52Z |
Staging the Regional/National: Taiwanese Opera Performances in Beijing
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:52Z |
In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
亞裔演員在美國:五反田寬的《美國狗去死吧》
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
Guoguang Opera Company’s Collaboration with Robert Wilson in Taiwan and Its Outcome
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:51Z |
《卲江海》的兩個版本:戲劇史的書寫政治
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:50Z |
日裔美國劇作的拘留營書寫
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:50Z |
Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:50Z |
展演戲劇性:《艷后》與《水袖》的後設敘事
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:50Z |
Rewriting Shakespeare, Reconstructing Beijing Opera: Guoguang Opera Company's Cleopatra and Her Fools
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:49Z |
Evoking History through the Scrim: The Development of Image Projection in Traditional Taiwanese Theatre
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:49Z |
當代戲曲中的布雷希特疏離效果重探:奇巧劇團的《波麗士灰闌記》
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:49Z |
從胡撇仔、新胡撇仔到戲曲音樂劇:奇巧劇團的《鞍馬天狗》
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:49Z |
台灣小劇場戲曲的跨界實踐
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:48Z |
解嚴後的臺灣戲曲發展
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:48Z |
當代臺灣戲曲劇場的跨界表現
|
謝筱玫; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:48Z |
當代台灣歌仔戲劇場的影像發展與美學實踐
|
謝筱玫; HSIAO-MEI HSIEH |
Showing items 1-25 of 50 (2 Page(s) Totally) 1 2 > >> View [10|25|50] records per page
|