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Institution Date Title Author
臺大學術典藏 2022-03-03T05:34:54Z 歌仔戲《人間盜》的實驗精神 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z Transforming Tradition: the Double Meanings of Opela Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z 《卲江海》:幾個無法割捨之景 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z 兩岸歌仔戲的發展方向 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Two Versions of Shao Jianghai: Politics of Theatre Historiography in China Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Staging the Regional/National: Taiwanese Opera Performances in Beijing Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan. Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z 亞裔演員在美國:五反田寬的《美國狗去死吧》 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Guoguang Opera Company’s Collaboration with Robert Wilson in Taiwan and Its Outcome Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z 《卲江海》的兩個版本:戲劇史的書寫政治 Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:50Z 日裔美國劇作的拘留營書寫 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:50Z Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:50Z 展演戲劇性:《艷后》與《水袖》的後設敘事 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:50Z Rewriting Shakespeare, Reconstructing Beijing Opera: Guoguang Opera Company's Cleopatra and Her Fools Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:49Z Evoking History through the Scrim: The Development of Image Projection in Traditional Taiwanese Theatre Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:49Z 當代戲曲中的布雷希特疏離效果重探:奇巧劇團的《波麗士灰闌記》 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:49Z 從胡撇仔、新胡撇仔到戲曲音樂劇:奇巧劇團的《鞍馬天狗》 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:49Z 台灣小劇場戲曲的跨界實踐 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:48Z 解嚴後的臺灣戲曲發展 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:48Z 當代臺灣戲曲劇場的跨界表現 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:48Z 當代台灣歌仔戲劇場的影像發展與美學實踐 謝筱玫; HSIAO-MEI HSIEH

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