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Institution Date Title Author
臺大學術典藏 2022-03-03T05:34:54Z 歌仔戲《人間盜》的實驗精神 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z Transforming Tradition: the Double Meanings of Opela Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z 《卲江海》:幾個無法割捨之景 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z 兩岸歌仔戲的發展方向 謝筱玫; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Two Versions of Shao Jianghai: Politics of Theatre Historiography in China Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Staging the Regional/National: Taiwanese Opera Performances in Beijing Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan. Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z 亞裔演員在美國:五反田寬的《美國狗去死吧》 謝筱玫; HSIAO-MEI HSIEH

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