|
English
|
正體中文
|
简体中文
|
總筆數 :2856704
|
|
造訪人次 :
53657815
線上人數 :
1872
教育部委託研究計畫 計畫執行:國立臺灣大學圖書館
|
|
|
"hsieh hsiao mei"的相關文件
顯示項目 1-17 / 17 (共1頁)
1
每頁顯示[10|25|50]項目
| 臺大學術典藏 |
2022-03-03T05:34:53Z |
Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:53Z |
Transforming Tradition: the Double Meanings of Opela
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:52Z |
Two Versions of Shao Jianghai: Politics of Theatre Historiography in China
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:52Z |
Staging the Regional/National: Taiwanese Opera Performances in Beijing
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:52Z |
In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:51Z |
Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:51Z |
Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:51Z |
Guoguang Opera Company’s Collaboration with Robert Wilson in Taiwan and Its Outcome
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:51Z |
Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:51Z |
《卲江海》的兩個版本：戲劇史的書寫政治
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:50Z |
Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:50Z |
Rewriting Shakespeare, Reconstructing Beijing Opera: Guoguang Opera Company's Cleopatra and Her Fools
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:49Z |
Evoking History through the Scrim: The Development of Image Projection in Traditional Taiwanese Theatre
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:43Z |
Where Have All the Different Butterfly Lovers Gone? The Homogenization of Local Theater as a Result of the Theater Reform in China as Seen in Gezai xi/Xiangju.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:43Z |
Music from a Dying Nation: Taiwanese Opera in China and Taiwan during World War II.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 臺大學術典藏 |
2022-03-03T05:34:42Z |
Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
| 國立成功大學 |
2010-05-05 |
探討組織承諾、工作壓力與工作滿足之關聯性研究—以C銀行南區分行為例
|
謝曉玫; Hsieh, Hsiao-Mei |
顯示項目 1-17 / 17 (共1頁)
1
每頁顯示[10|25|50]項目
|
