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機構 日期 題名 作者
臺大學術典藏 2022-03-03T05:34:53Z Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:53Z Transforming Tradition: the Double Meanings of Opela Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Two Versions of Shao Jianghai: Politics of Theatre Historiography in China Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z Staging the Regional/National: Taiwanese Opera Performances in Beijing Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:52Z In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan. Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Guoguang Opera Company’s Collaboration with Robert Wilson in Taiwan and Its Outcome Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH
臺大學術典藏 2022-03-03T05:34:51Z 《卲江海》的兩個版本:戲劇史的書寫政治 Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH

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