| 臺大學術典藏 |
2022-08-16T07:41:34Z |
「家」的離返、徘徊與跨越：當代紀錄片中新移民女性的空間越界與多重身份
|
謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:33Z |
Transnational Migration, Mobility and Female Agency in Sinophone Literature
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:33Z |
Writing for Recognition: Generational Differences and Transformative Identities in Taiwanese American Literature
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:33Z |
Women's Migration and Home-making in Contemporary Taiwanese Film
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:33Z |
Women Always on the Road: Translocal Representation of Chinese Urban Space in Contemporary Taiwanese Literature
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:32Z |
Taiwan is My Home: New Immigrants' Stories and Homeness in Contemporary Taiwanese Television Program
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:32Z |
Shuttling between Isles, Unearthing Roots: Self-positioning and Cross-cultural Representation of Second-generation Immigrants in Contemporary Taiwan Films
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:32Z |
Taiwan and the "South": Transnationality and Migration in Contemporary Taiwan Documentary Filmmaking
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:31Z |
Multilingual Practice in Sinophone Taiwanese Cinema: From A City of Sadness, Cape No. 7 to We Are Family
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:31Z |
New Immigrants' Double Intervention and Contemporary Taiwan Documentary Filmmaking
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:31Z |
New York as Diasporic Space: The Geopolitical and Diaspora Writing in Pai Hsien-Yung's The New Yorker
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:31Z |
Representing the Early Chinese Immigration: Trans-Pacific Family and Memory in Sinophone Canadian Literature
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:30Z |
Home, Memory and Boundary-crossing in Chinese Women's Autobiography
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:30Z |
From Le Moulin (2015) to "Synchronic Constellation" (2019): Documenting and Materializing Multiculturality of Japanese Colonial Taiwan
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:30Z |
Migration State in the Making: Biopolitics, Public Discourse and Documentary Filmmaking on Migrant Workers in Taiwan
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:29Z |
Cross-Strait Migration and Homeness in Contemporary Chinese and Taiwanese Documentary Film
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:29Z |
Documentary as a Tool of Intervention: Gender and Identity Politics of Southeast Asian Marriage Migrants in Taiwan
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:29Z |
Cross-border Migration: Transnational Connection and Local Representation in Zhang Yuan's Work
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:28Z |
Becoming Taiwanese: Negotiation, Assimilation and Sociocultural Intervention of New Immigrants in Contemporary Documentary Film
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:28Z |
Blood is Not the Only Thing: Re-imaging Family Relationship, Intimacy and Migration in Contemporary Taiwan Film
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:28Z |
A Window to Japan: Arai Hifumi's Sinophone Writing in Taiwan
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:27Z |
Unspoken Stories: Taiwanese Female Immigrants' Documentary Filmmaking
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T07:41:26Z |
The Transmission of International Culture in Elementary School Textbooks
|
Hsin-Chin Hsieh; Wan-Ting Wang; Hsin-Chin Hsieh; Wan-Ting Wang; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:17Z |
Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film
|
Hsin-Chin Hsieh; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:17Z |
'See You, Lovable Strangers’. Exploring experiences of Vietnamese irregular migrants in Taiwan through filmmaking
|
Tsung-Lung Tsai; Evelyn Hsin-Chin Hsieh; Isabelle Cheng (translator); Tsung-Lung Tsai; Evelyn Hsin-Chin Hsieh; Isabelle Cheng (translator); HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:17Z |
異鄉人的紐約：華文小說的離散華人書寫與地方再現
|
謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:16Z |
移工議題影像化：當代台灣紀錄片的職場空間與生命政治
|
謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:16Z |
History, Politics, and Identity: Joyce Huang and Taiwanese American Literature
|
Hsin-Chin Hsieh; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:16Z |
Documentary Films as a Medium of Intervention: Visualization and Mediation of New Immigrant Issues in Taiwan
|
Hsin-Chin Hsieh; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:16Z |
後新電影的混音景觀：《第四張畫》與《椰仔》的新移民二代家庭與族群關係
|
謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:15Z |
「面向臺灣」的影像生產：阮金紅新移民紀錄片的母國觀點與雙向對話錄
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:15Z |
影像啟動文學的來世：當代台灣文學紀錄片的三種路徑
|
謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:15Z |
聽見的可能：鏡頭下的新移民女性
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:15Z |
空間越界與多重身分：當代台灣紀錄片中新移民女性的家庭實踐
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:14Z |
「台灣留美客」：章緣《當張愛玲的鄰居》的跨界移動與城市書寫
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:14Z |
我們的異國夢帶有一點「台灣味」：談新世代女性的留學生文學
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:14Z |
紐約作為鄉園之一－李渝作品的時空錯置與族裔地景
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:13Z |
章緣《疫》的離散華人跨界移動與在地社群生成
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:13Z |
都會男女的真心話大冒險：《徵婚啟事》跨媒介改編
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:13Z |
《臺灣新民報》「曙光」專欄之文學現象考察（1930-1932）
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-16T05:27:12Z |
移民／工文學
|
謝欣芩; 謝欣芩; HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-12T06:15:51Z |
Representations of familial intimacy across the Taiwan Strait: The reinvention of homeness among Taiwanese wives in documentaries
|
HSIN-CHIN HSIEH |
| 臺大學術典藏 |
2022-08-12T06:12:28Z |
Repositioning Taiwan: Historical representation and transformative identity in Taiwanese American literature
|
HSIN-CHIN HSIEH |
