| 臺大學術典藏 |
2020-03-06T03:25:29Z |
從廣博走向專精，從經典邁向多元：「台灣愛爾蘭研究學會」成立緣起
|
高維泓(Wei H. Kao); 高維泓(Wei H. Kao); WEI H. KAO |
| 臺大學術典藏 |
2020-03-06T03:25:29Z |
在神性與性性間游移：凱特．歐布萊恩作品裡的異鄉人
|
高維泓(Wei-Hung Kao); WEI H. KAO |
| 臺大學術典藏 |
2020 |
Staging the outcast in Brendan Behan��s three prison dramas
|
WEI H. KAO; Kao, W.H.; Kao, W.H. |
| 臺大學術典藏 |
2018-09-10T14:59:32Z |
Transnational Ireland on Stage: America to Middle East in Three Texts
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:59:32Z |
Transnational Ireland on Stage: America to Middle East in Three Texts
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:59:32Z |
Transnational Ireland on Stage: America to Middle East in Three Texts
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:59:31Z |
Sebastian Barry's White Woman Street (1992): The Ignored Overseas Irish in 1916
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:59:31Z |
Sebastian Barry's White Woman Street (1992): The Ignored Overseas Irish in 1916
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:59:31Z |
Sebastian Barry's White Woman Street (1992): The Ignored Overseas Irish in 1916
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:57:22Z |
Peace and beyond in the Middle East: Colin Teevan's war trilogy
|
Kao, W.H.; Kao, W.H.; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:57:22Z |
Home and John F. Kennedy in Tom Murphy's Conversations on a Homecoming
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:57:22Z |
Home and John F. Kennedy in Tom Murphy's Conversations on a Homecoming
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T14:57:22Z |
Home and John F. Kennedy in Tom Murphy's Conversations on a Homecoming
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T08:41:36Z |
South Africa, racism and Irish sectarianism in dolores Walshe's in the talking dark and Damian Smyth's soldiers of the Queen
|
Kao, W.H.; Kao, W.H.; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:40:03Z |
Troubled Desires and Social Taboos in Eugene O'Neill's and Marina Carr's Dramas of the Land
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:40:03Z |
Troubled Desires and Social Taboos in Eugene O'Neill's and Marina Carr's Dramas of the Land
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:40:03Z |
劇場的他者：臺灣與愛爾蘭戲劇中的勞工階層
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:40:03Z |
劇場的他者：臺灣與愛爾蘭戲劇中的勞工階層
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:02:46Z |
Awakening, Memory, and Reconciliation in Anne Devlin's Belfast Trilogy
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:02:46Z |
Awakening, Memory, and Reconciliation in Anne Devlin's Belfast Trilogy
|
WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T07:02:43Z |
Irish Pride and Disgrace in Recent Films: Ken Loach and Paul Greengrass
|
高維泓; 高維泓; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T04:34:27Z |
Emerging Nation, Debatable Canon(s): Some Facts in Irish Short Story Anthologies Inland and Overseas in the Early Twentieth Century
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T04:34:27Z |
Emerging Nation, Debatable Canon(s): Some Facts in Irish Short Story Anthologies Inland and Overseas in the Early Twentieth Century
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2018-09-10T04:34:27Z |
Emerging Nation, Debatable Canon(s): Some Facts in Irish Short Story Anthologies Inland and Overseas in the Early Twentieth Century
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
| 臺大學術典藏 |
2016-04 |
Staging the Easter Rising: Plays by W.B. Yeats, Sean O'Casey, Colm T?ib?n
|
WEI H. KAO; WEI H. KAO; WEI H. KAO |
