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Showing items 1-10 of 19 (2 Page(s) Totally)
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| 淡江大學 |
2023-07-25 |
Relocating Shakespeare to Taipei: The Gender Politics in Taiwanese film As We Like It
|
Wu, I-fen |
| 淡江大學 |
2021-08 |
From Globe to Hollywood: Kenneth Branagh's Shakespearean Films
|
Wu, I-fen |
| 淡江大學 |
2017-12 |
The Poetics of Asian Minimalism: Long Take/Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu
|
Wu, I-fen |
| 淡江大學 |
2017-07-27 |
From Globe to Hollywood: Kenneth Branagh’s Hollywoodised Shakespeare
|
Wu, I-fen |
| 淡江大學 |
2015-06-03 |
Beyond the Age of Branagh:The Transformation of Shakespeare on Screen from the 1970s to the Present
|
Wu, I-fen |
| 淡江大學 |
2014-07-11 |
Film Authorship and Taiwanese Cinema
|
Needham, Gary;Wu, I-fen |
| 淡江大學 |
2011-12 |
Do You Know I am Looking at You? Visual Pleasure and Body Politics in Tsai Ming-Liang's Films
|
Wu, I-Fen |
| 淡江大學 |
2009 |
Cinematic Shakespeare in the Realm of History
|
Wu, I-Fen |
| 淡江大學 |
2008 |
Remapping Ozu’s Tokyo? The Interplay between History and Memory in Hou Hsia-Hsien’s Café Lumière
|
吳怡芬; Wu, I-fen |
| 淡江大學 |
2007-07 |
Do you Know I am Looking at You?: Visual Pleasure and Body Politics in Tsai Ming-Liang's films
|
吳怡芬; Wu, I-fen |
Showing items 1-10 of 19 (2 Page(s) Totally)
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