臺灣學術機構典藏系統 (Taiwan Academic Institutional Repository, TAIR)

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Institution	Date	Title	Author
臺大學術典藏	2022-08-24T02:03:10Z	Remembering and Re-membering Trauma in Ian McEwan’s Solar	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:11Z	Poetics of Residue in Narratives of Sanitation: On the Economy of Morality in Dickens’ Our Mutual Friend.	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:11Z	The Best Thing America Gave Me’: Memory of the Other	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:12Z	Creative Nostalgia and Identity Politics in A Good Fall.	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:12Z	Biopolitical Sherlock: Information Technology and Liquid Modernity at Risk	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:13Z	Spectacle and Politics of the Microcosm World: On John Snow’s Mode of Communication of Cholera and Medical Detective Narratives	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:13Z	On the Mode of Communication”: Cholera and Victorian Biopolitics	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:14Z	London is “Waiting for Its Bomb”: History, Memory, and Fear of Destruction in Ian McEwan’s Saturday	CHUNG-JEN CHEN
臺大學術典藏	2022-08-24T02:03:25Z	Literary Feuds: A Century of Celebrated Quarrels—From Mark Twain to Tom Wolfe	Anthony Arthur; 陳重仁（譯）; 陳佳琳（譯）
臺大學術典藏	2022-08-24T02:03:26Z	男人與妻子	Tony Parsons; 陳重仁（譯）
臺大學術典藏	2022-08-24T03:33:02Z	An Essay against Global Literature: Literature and the Global Public	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:03Z	Spinoza and the Politics of the Matrix	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:03Z	Literature and the Global Public: Serious Fiction and World Literature	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:03Z	How it is and the Politics of Art	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:05Z	Serious Fiction: Coetzee and Kert?sz Under the Sign of K	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:05Z	Serious Fiction: Coetzee, the Sympathetic Imagination, and Aesthetic Education; [Roundtable discussion]: An Aesthetic Education in the Era of Globalization	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:05Z	Beckett’s Worldly Inheritors: Coetzee and Beckett: The Example of Michael K	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:06Z	Michael K: Coetzee Between Beckett and Kafka	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:07Z	James Joyce, J.M. Coetzee, and Truth in Fictional Autobiography: Generic Hybridity and the Claims of Fiction	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:07Z	J.M. Coetzee, Serious Fiction, and the Stakes of Literature	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:07Z	“The Importance of Realism in the Development of Cinematic Modernization: The Example of Taiwanese New Cinema” with Chang-Min Yu. 29 September 2012.	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:08Z	Beckett’s Silences and Late Modernity	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:08Z	The Long Take and the Time Image in Recent Chinese Cinemas: A Reconsideration	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:08Z	‘The voice alone is company but not enough’: Memory and Healing in Late Beckett	DUNCAN DONALD CHESNEY
臺大學術典藏	2022-08-24T03:33:09Z	Film Aesthetics and the Image of Time: Film Theory Since Deleuze	DUNCAN DONALD CHESNEY

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