| 臺大學術典藏 |
2022-08-24T02:03:09Z |
A Concise Chinese-English Dictionary for Identity: Contesting Chinese Modernity in the Time of Multiculturalism
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:09Z |
Evolutionary Imagination From Pathology to Degeneration: Obesity and Moral Economy in Dickens’ Novels.
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:09Z |
Evolutionary Imagination from Pathology to Morbidity: Obesity in Dickens’ Novels and Victorian Medical Writings
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:10Z |
Ecology of Disgust: Economy of Morality and Enlightenment of Modernity in Dickens's Later Novels
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:10Z |
Enhanced Life, Ensured Life, Endangered Life: The Medicalisation of Dr. Moreau’s Island
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:10Z |
Remembering and Re-membering Trauma in Ian McEwan’s Solar
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:11Z |
Poetics of Residue in Narratives of Sanitation: On the Economy of Morality in Dickens’ Our Mutual Friend.
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:11Z |
The Best Thing America Gave Me’: Memory of the Other
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:12Z |
Creative Nostalgia and Identity Politics in A Good Fall.
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:12Z |
Biopolitical Sherlock: Information Technology and Liquid Modernity at Risk
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:13Z |
Spectacle and Politics of the Microcosm World: On John Snow’s Mode of Communication of Cholera and Medical Detective Narratives
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:13Z |
On the Mode of Communication”: Cholera and Victorian Biopolitics
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:14Z |
London is “Waiting for Its Bomb”: History, Memory, and Fear of Destruction in Ian McEwan’s Saturday
|
CHUNG-JEN CHEN |
| 臺大學術典藏 |
2022-08-24T02:03:25Z |
Literary Feuds: A Century of Celebrated Quarrels—From Mark Twain to Tom Wolfe
|
Anthony Arthur; 陳重仁（譯）; 陳佳琳（譯） |
| 臺大學術典藏 |
2022-08-24T02:03:26Z |
男人與妻子
|
Tony Parsons; 陳重仁（譯） |
| 臺大學術典藏 |
2022-08-24T03:33:02Z |
An Essay against Global Literature: Literature and the Global Public
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
Spinoza and the Politics of the Matrix
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
Literature and the Global Public: Serious Fiction and World Literature
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:03Z |
How it is and the Politics of Art
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Serious Fiction: Coetzee and Kert?sz Under the Sign of K
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Serious Fiction: Coetzee, the Sympathetic Imagination, and Aesthetic Education; [Roundtable discussion]: An Aesthetic Education in the Era of Globalization
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:05Z |
Beckett’s Worldly Inheritors: Coetzee and Beckett: The Example of Michael K
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:06Z |
Michael K: Coetzee Between Beckett and Kafka
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:07Z |
James Joyce, J.M. Coetzee, and Truth in Fictional Autobiography: Generic Hybridity and the Claims of Fiction
|
DUNCAN DONALD CHESNEY |
| 臺大學術典藏 |
2022-08-24T03:33:07Z |
J.M. Coetzee, Serious Fiction, and the Stakes of Literature
|
DUNCAN DONALD CHESNEY |
