淡江大學 |
20140517 |
'Where hast thou been Sister?: Killing swine': the poor seen species in Macbeth
|
Ralph, Iris |
淡江大學 |
Panel K / 24 June / 3:30-5:00 |
'Where hast thou been Sister?: Killing swine': the poor seen [porcine] species in Macbeth
|
Ralph, Iris |
淡江大學 |
2013-08 |
Where does author self-citation occur? A Citation context analysis
|
Lin, Wen-Yau Cathy |
淡江大學 |
2013-08 |
Where does author self-citation occur? A Citation context analysis
|
Lin, Wen-Yau Cathy |
國立政治大學 |
2019-03 |
Where does floating TDR land? An analysis of location attributes in real estate development in Taiwan
|
江穎慧; Chiang, Ying-Hui; Shih, Mi; Chang, Hsiutzu Betty |
國立成功大學 |
2019 |
Where does floating TDR land? An analysis of location attributes in real estate development in Taiwan
|
Shih, M.;Chiang, Y.-H.;Chang, H.B. |
國立政治大學 |
2017-11 |
Where Does the “Lion” Come From? On the Origin of Liang Qichao’s “Sleeping Lion” Symbol
|
楊瑞松; Yang, Jui-sung |
國立臺灣師範大學 |
2014-10-27T15:40:02Z |
Where Has the Aura Gone? Reflections on Cultural Studies, Neoliberalism, and Literature as the Auratic Event
|
Xu, Gang Gary |
南開科技大學 |
2002 |
Where Have All the "Intellectual and Emotional Complex" Gone﹖: The Quest of Students' Muses of Poetry Writing
|
劉玉玲 |
臺大學術典藏 |
2022-03-03T05:34:51Z |
Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
臺大學術典藏 |
2022-03-03T05:34:43Z |
Where Have All the Different Butterfly Lovers Gone? The Homogenization of Local Theater as a Result of the Theater Reform in China as Seen in Gezai xi/Xiangju.
|
Hsieh, Hsiao-Mei; HSIAO-MEI HSIEH |
國立政治大學 |
1993-09 |
Where Have All the Independent Voters Gone? The Possibility of a Three Party System in Taiwan
|
劉義周 |
國立臺灣大學 |
2008 |
Where have all the sediments gone? The fate of sediments in the Taiwan Strait: A reassessment
|
Su, CC; Tsai, CH; Liao, HR; Yu, YS |
國立政治大學 |
2007 |
Where Have All The Vedda (Vanniyaletto) Gone? Sri Lanka Cultural Heritage Revisited
|
卜道 |
國立成功大學 |
2005-12 |
Where History Meets the Earth: Nature and Narrativity in Graham Swift's Waterland
|
Rufus Cook |
國立成功大學 |
2005 |
Where History Meets the Earth: Nature and Narrativity in Graham Swift’s Waterland
|
Cook, Rufus Ernes |
淡江大學 |
1984 |
Where Is "I" in Classical Chinese Poetry?--An Experimental Interpretation
|
黃美序; Hwang, Mei-shu |
國立交通大學 |
2017-07-25T06:33:39Z |
Where is foreign institutional investors' efficacy? A transparency & disclosure perspective
|
Chin-Jung Luan; Chengli Tien |
臺大學術典藏 |
2021-06-17T09:24:52Z |
Where Is Her(e)? Métissage as Indigenous Intervention in Taiwanese Liglav A-Wu’s Who Will Wear the Beautiful Garments I Weave? and Canadian Lee Maracle’s I Am Woman
|
Bennett Yu-Hsiang Fu |
國立臺灣大學 |
2007-07 |
Where Is Independent Director Efficacy?
|
Luan, Chin-Jung, Ming-Je Tang |
臺大學術典藏 |
2007 |
Where is independent director efficacy?
|
Luan C.-J; Tang M.-J. |
正修科技大學 |
2010-07-20 |
Where is my home?
|
陳映孜 |
國立臺灣大學 |
2004 |
Where is Spring?
|
安可思 |
南台科技大學 |
2014-08 |
Where is the love?Investigating multiple membership and hotel customer loyalty
|
Lina Xiong; Ceridwyn King; Clark Hu |
國立臺灣師範大學 |
2015-09-03T01:12:46Z |
Where is the Tree
|
張國楨 |